Kino Flo Lighting Systems’ renowned Image 40 fixture series served for decades as the leading soft source for cinema,
television and video production studios. Its success serves as the foundation for the new Image L40 LED fixture, a narrow profile, shallow depth panel exquisitely suited to lighting small to medium-size greenscreen stages, as well as talent lighting on television news and video broadcast sets. Kino Flo’s Image L40 LED has already made its mark as a value priced studio light that packs a 1K equivalent output and comes complete with Kino Flo’s True Match® 3.0 firmware to control superior white light
(>96 PRI/98 TLCI) and a full hue and saturation gamut.
The versatile Image L40 has proven ideal for grid installations with variable beam pitch control to ensure an even flow of illumination from the top of a set wall (as high as 20 feet/7 meters) all the way out to stage forward. The beam spread from down-facing fixtures can produce a wide soft base in studio spaces too small for traditional space-light designs. The Image L40 comes with manual and remote DMX wireless control of the mired shift, colour selection, dimming and visual effects features unique to Kino Flo lighting products. Its photometric and control specifications are available for free download to pre-visual studio design programs and lighting console profiles.
Kino Flo’s Image L40 LED’s include 4 menu options, one white, two colours and FX menu. The White menu features include Dimming, Kelvin and Green/Magenta control channels. Dimming range is from .02 to 100 percent without introducing
any flicker and can be adjusted in coarse or fine mode by pressing the control knob in/out. The Kelvin range is tunable from 2700K tungsten to 6500K daylight. The Green/Magenta control can be scaled from 0 to 100, where 25 = ¼ correction,
50 = ½ correction and 100 = full correction.
In the Gels/Hue menu, the Kelvin range is extended to 2500K Kelvin to 9900K daylight and a fourth channel is called Gel.
The Gel channel includes Kino Flo presets such as blue & green screen, sodium vapour, mercury vapour as well as over
100 well-known lighting gels. The gel function can be applied to any Kelvin temperature and by pushing the control knob in/out,
the gel will be applied or removed. A fifth channel called Hue Angle (Hue) and sixth channel Saturation (Sat) are also included in the gel menu. These two channels behave similar to a traditional colour wheel, where white light is in the centre and Hue Angle determines the colour along a 360-degree range and Saturation determines how much colour is applied. With the Hue Angle and Saturation it is possible to create over 2 million colour combinations!
The RGB colour menu gives individual control of red, green and blue LED’s. The RGB mode is a great way to work with apps with
predetermined RGB presets or colour wheels. RGB menu is also a great feature to dial in specific gel RGB values or when controlling colours from a DMX desk.